17 世紀イギリスで出版された劇作古版本のテクストと、印刷に用いられた活字や紙に関する総合的な調査を行い、それぞれ劇作古版本の出版に関わった作家、編集者、出版者、および印刷者たちが具体的にどのような先行作品をモデルとして、何を目的に、どのような編集作業を行ったかという、劇作編集の確立の過程を明らかにする。

担当区分：筆頭著者,　最終著者,　責任著者   記述言語：英語   掲載種別：研究論文（学術雑誌）

The Kodama Memorial Library at Meisei University contains one of the world's most important Shakespeare collections. This article introduces the Meisei collection to Shakespearians internationally, describing the history and scope of the collection, and the website reproducing copies of some of its Shakespeare and Jonson folios. The article examines examples of Meisei copies of early editions from the perspective of bibliography and book history. These case studies highlight the importance of individual copies in the collection in preserving information about publishing and ownership from the early modern period to our own and the significance of the Meisei collection itself.

DOI： 10.1177/01847678231185667

Scopus

その他リンク： https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85165615125&origin=inward

担当区分：筆頭著者,　最終著者,　責任著者   記述言語：日本語   掲載種別：研究論文（学術雑誌）

CiNii Research

担当区分：筆頭著者   記述言語：英語   掲載種別：研究論文（学術雑誌）

CiNii Article

CiNii Research

担当区分：筆頭著者   記述言語：英語   掲載種別：記事・総説・解説・論説等（学術雑誌）

CiNii Research

担当区分：筆頭著者   記述言語：英語   掲載種別：研究論文（学術雑誌）

下記論文にて引用されている。
1. Harry Newman,‘“PRinter, that art the Midwife to my muse”: Thomas Freeman　and the Analogy between Printing and Midwifery in Renaissance　England’, in Victoria Gardner and John Hinks (eds), The Early Modern Book Trade:Perceptions and Practices (London: British Library; Oak Knoll Press,　2014)

総ページ数：400   担当ページ：3-25   記述言語：英語

The essays in this collection trace texts from their creation and printing through to their publication, dissemination, and collection. In doing so, they show how production processes change texts and how collectors subsequently appropriate them for their own ends. By examining the diverse activities of those involved in both textual creation and collection over a long period, these essays highlight both continuities and changes in the book trade. Taken together, this collection offers considerable new insights into many facets of the book trade, ranging from creation to consumption. This newest addition to the Print Networks series includes nineteen essays from leading book history scholars, including Mariko Nagase, Daniel Cook, Stephen Brown, Brian Hillyard, Catherine Delafield, Rob Allen, Rachel Bower, Iain Beavan, and more. The "compositors" section covers everything from The Mayor of Quinborough, published in 1661, to My Name is Salma, published in 2007. Essays on "collectors" include Dr. James Fraser, Titus Wheatcroft, Sir Walter Scott, the USA Armed Services, and more.

開催期間： 2023年10月14日 - 2023年10月15日   記述言語：英語   開催地：大正大学   国名：日本国  

The Fourth Folio of Shakespeare (F4) was published with no printer’s name in 1685 by Henry Herringman. The main text of F4 plays is divided into three sections by separate sequences of signatures and pagination as well as typographical differences. The variations have led scholars to believe that the three sections were printed at three different presses. In 1951, Fredson Bowers inferred Robert Roberts’ involvement in printing the ‘Comedies’ section from ornamental evidence. I have identified the printer of the third section as John Macocke by examining damaged types found in F4 and other books printed by Macocke. While demonstrating the validity of my previous research, I further intend to explore the network of the printers who were involved in the printing of F4 of Shakespeare.

開催期間： 2023年03月29日   記述言語：英語   開催地：Online   国名：日本国  

While the First and Second Folios of Shakespeare carry their printers’ names in their imprints, those of the following two folios, the third and fourth, are left unsigned by their printers. The printers of the Third Folio were inferred as Roger Daniel, Alice Warren and John Hayes by Harry Farr in as early as 1934 from their ornaments used in the book. Such attempts as to identify the printer based on the ornamental types used in the ‘Comedies’ section of the Fourth Folio (F4) have also been made by C. William Miller and Fredson Bowers. While attributing the printing of the F4 ‘Comedies’ to Robert Roberts, Bowers warns in 1951 that ‘the shop which produced the third section [of F4] will perhaps never be identified until we know everything there is to be learned about seventeenth-century types.’ The present paper will attempt to identify the printer who produced the third section of F4 beginning with Timon of Athens and the cancel title page of the reissue of the edition. The relationship between this unknown printer and the publisher, Henry Herringman, will hopefully reveal that the former was the lead printer of F4 who made the decision to leave its imprint unsigned.

開催期間： 2023年12月02日   記述言語：日本語   開催地：九州工業大学 飯塚キャンパス　   国名：日本国  

開催期間： 2016年10月08日 - 2017年10月09日   記述言語：英語   開催地：慶応義塾大学  

開催期間： 2010年07月18日 - 2010年07月19日   記述言語：英語   開催地：英国ヨーク大学   国名：グレートブリテン・北アイルランド連合王国(英国)